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		Translation 
		Article 
		published in Ma'ariv Newspaper, 21 May 1950, during Heifetx's tour of 
		Israel. Illya Davidiovich Malkin reminisces on teaching the young 
		violinist. 
		 
		
			
				| 
				 
				When Jascha 
				Heifetz's fingers first touched the fiddle's strings  | 
			 
			
				| 
				 
				Eliahu 
				Malkin, the genius violinist's first teacher, recounts his 
				pupil's first steps into the world of sound  | 
			 
		 
		
		The genius 
		violinist Jascha Heifetz who is visiting the country [Israel] now, was 
		discovered to have possessed an extraordinary musical talent when he was 
		already ... three-and-a-half years old. His first violin teacher, Eliahu 
		Malkin, recalls his first encounter with the wonder kid and his first 
		steps into the world of music. 
		
		Meeting 
		the Father 
		
		Eliahu Malkin, who 
		had graduated from the St. Petersburg Conservatory's Violin Department 
		in 1891, first served as a teacher in the Vilna studio and later as the 
		conductor of the local Popular Theatre Orchestra. When he set up the 
		orchestra, he had also invited Jascha Heifetz's father, who was also a 
		violinist and still a bachelor at the time, to join it. The Theatre only 
		survived one winter season and closed down. Malkin's and Heifetz 
		father's ways separated and the two didn't meet again for five years. 
		
		
		Wunderkind 
		
		After that period 
		the two had a chance meeting. Malkin asked to the father's wellbeing and 
		the latter told him that he had meanwhile married and he now has a 
		three-and-a-half years old son manifesting an unusual musical talent. 
		
		The boy, who saw 
		his father playing the fiddle, nagged to get him a fiddle as well. The 
		father gave in and bought his son a miniature instrument. "I tuned the 
		little violin - the father said - and gave it to my son while I played a 
		few sounds on my fiddle. I kept on playing and my son repeated the notes 
		without much difficulty. He now plays Beriot's first etudes book without 
		knowing notes. Not only that, when I play out of tune, the boy screams 
		no end" the father added. 
		
		Malkin asked the 
		father to bring his son to him, since he couldn't believe that a 
		three-and-a-half year old can play by ear. 
		
		Blonde 
		hair and blue eyes 
		
		On the appointed 
		day - recounts Malkin - the father arrived with a beautiful little boy 
		with blonde hair and gorgeous blue eyes. When his father started tuning 
		his violin, the little boy nodded his head acknowledging that the 
		strings were out of tune. He then adopted the pose of a veteran virtuoso 
		and waited for the sign to begin. And when he drew his bow across the 
		strings I realized that he had already attained a level of playing which 
		others achieve only after a few years of study. 
		
		I accepted him as 
		my pupil. He would come daily to my house and he became part of the 
		family. Our large apartment, and the excellent piano, were always open 
		and available to him. 
		
		At the 
		piano 
		
		Once my wife was 
		practicing at the piano a difficult piece by Bach. The future virtuoso 
		was engrossed in his games, apparently paying no attention to the piano 
		playing. Presently the cook came in and asked my wife to come into the 
		kitchen. As my wife left, the little boy climbed on the stool in front 
		of the piano and proceeded to play with assured hands the difficult 
		piece he had just heard, although he had never previously had any piano 
		lessons at all. 
		
		Three 
		years passed. His progress during this time was astounding. I had 
		visited St. Petersburg several times during this period and told my 
		friends there, violin teachers among others, about the wonder boy back 
		home. 
		
		With the 
		St. Petersburg Professor 
		
		Later on, 
		my former violin teacher from St. Petersburg, Leopold Auer, went on a 
		concert tour, the itinerary of which included Vilna. I came to the 
		railway station to receive him and as I walked him back to his hotel I 
		told him about Jascha Heifetz. I asked him to bring the boy for an 
		audition. 
		
		"Please 
		don't", recoiled the Professor, "I had enough of these wunderkinder. 
		Everywhere I go they pop up like mushrooms. Those parents, blinded by 
		desires, think that their wishes are actual reality." 
		
		"I can 
		assure you that even among your famous students there isn't a talent 
		like this one", I told the Professor, amongst whose students were Mischa 
		Elman, Efrem Zimbalist, etc. 
		
		I didn't 
		relent and didn't let go until the Professor agreed to listen to my 
		pupil. The following morning I brought him to Auer. Jascha started to 
		play and at once I realized that my efforts were not in vain. Jascha 
		Heifetz simply conquered the Professor's heart with his playing and the 
		latter predicted a great future for the boy. He added though, that he 
		needed to study for two more years with me after which time he will 
		accept him in his class in St. Petersburg. 
		
		The 
		first concert 
		
		The word 
		about the genius boy spread quickly among the musical circles and when 
		he was 9 he had appeared in a concert in Odessa.  
		
		Since 
		then he continued to advance steadily towards his status as a 
		world-famous violinist. 
		  * 
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